Sketches of nature for drawing. How to draw a beautiful summer landscape of nature with a pencil and paints in stages for beginners? How to draw a light summer landscape with a pencil for beginners? Landscape watercolor in stages: draw a sunset

Landscape is a view visual arts which depicts the pristine beauty of nature. A landscape painter has an unlimited imagination, as there are many new and surprising things in nature. A picture depicting nature can decorate a house and give a cozy mood, while the process of painting a landscape itself gives a relaxing pleasure. It seems to many that it is easy to draw a landscape picture, but they are often mistaken, because in order to draw a good picture, you need to know the basics of depicting perspective and the location of light and shade.

Tip: Before you start doing a big picture, practice making small sketches, for which A4 sheet halves will do.

How to draw a landscape with a pencil

• To draw a good picture, it is difficult to limit yourself to just one pencil, since you will need at least three: soft (B), hard (H) and medium (HB), as well as a very soft eraser. First, practice the basics of hatching, as shown in the picture:

• Thus, see how hard you need to press on the pencil in order to achieve one color or another. Also try to draw a ball and shade it using a drawing for clarity:

• This will help you learn the location of highlights and shadows. To draw a landscape, you can look out the window, go outside, or try a photo initially.

How to draw a landscape - a snow-covered Christmas tree

• Choose your favorite photo on the Internet. For clarity, we use this picture:

• First, choose the location of your Christmas tree on the sheet, estimate its size, then draw a triangle. Or, you can draw a wand (as we drew in kindergarten). In no case do not use a ruler, you need to draw lines strictly by hand. Otherwise, you will never learn to draw. Then sketch out the snow cover by making strokes from top to bottom, from a triangle or a stick (whichever you drew) with very thin lines so that they can be easily erased.

• Next, start working on more embossed forms of spruce and draw snow on the branches. Darken those parts of the branches that were left without snow cover using a soft pencil. Snow is never snow-white, so shade it a little, make it looser.
• When the Christmas tree is ready, draw a background that you like on the back. It can be snowy fields or a small village with many houses.

Important! Even if you are painting a night landscape, the shadow of the tree must be worked out.

Remember, the closer the object is, the brighter it looks, respectively, the further away, the paler the shading. Also do not forget to draw a falling shadow from the Christmas tree.

Painting a snowy landscape with watercolors

Perhaps the most difficult thing to learn to paint with watercolors is because they require a lot of water. They constantly spread, and if you accidentally make the wrong stroke, then unlike gouache, watercolor will not be able to block it. As they say in an art school, pouring plenty of tap water onto a piece of paper will help wash off excess color from paper. Remember that high-quality watercolors do not have white color. The white shade is replaced by water.

You will need special paper (watercolor paper is very thick to the touch), paint and brushes: small, medium and large. Since watercolor is the most non-viscous paint, brushes should have elasticity. Squirrel hair brushes are best suited.

• Draw a horizon line, mark the path.

• Next paint the sky using yellow, blue and purple paint.

• Paint the trees in the distance using black, brown and green paint. First the colors, and then, when the background dries, work on the lines of the trees. Since this is the background, try to keep it pale.

• Make the foreground branches clearer.
• Draw the path with dark colors, taking into account the location of the shadows. Also mark the looseness of the snow with gray paint.

Important! Although watercolor requires a lot of water, try not to overdo it, otherwise the sheet of paper will bend.

In fact, learning to draw is not difficult enough, the main thing is to show your imagination. If you don't succeed the first time, don't worry. Not all great artists came out brilliant paintings the first time. Just enjoy the process. Even if you are just starting to draw, try to buy better paints, brushes and pencils right away, because, for example, the hairs that come out of the brush will immediately ruin your mood.

Drawing landscapes with colored pencils is a fascinating and creative activity. Having mastered the features of creating such drawings, later you can easily transfer your impressions of the beauty of the surrounding nature to a sheet of paper. This detailed master class for beginner artists will teach you the basics of drawing a landscape with colored pencils in stages, which will allow you to take the first steps towards making your dream of creating wonderful landscape drawings with your own hands come true.

Materials used

To draw this drawing of a beautiful mountain landscape, you will need a minimum of materials, namely:

• graphite (simple) pencils No. H; No. 2B;
• colored pencils (preferably more than 24 colors in the set);
• eraser

How to draw a landscape with colored pencils: step by step guide

1. Sketch with a No. H pencil: without being distracted by details, outline the location of the main objects on the sheet. The lines should be only slightly visible.

The photo shows the sketch image processed in the photo editor in order to better consider the basic principle of work at this stage. Only the boundaries of objects in the near-middle and far plans are indicated.

2. With a #2B graphite pencil, make the sketch more detailed: draw rocks in the foreground, rock cracks in the middle ground and mark shaded places.

3. Blend areas of shadows in order to get rid of strokes of graphite pencil.

4. Pencil yellow color fill in all the sunlit places in the landscape (except water).

5. With blue color, draw shadows on the stones in the foreground. Without pressing the pencil, fill the sky and water with blue. Strokes should not be visible.

Color in the forest in green. For mountains, use magenta and purple A. With a purple pencil, draw the shaded places of the mountains in the background.

Draw shadows on the nearby mountain in purple. The strokes on the rocks must be applied in accordance with their shape, as well as the direction of the cracks.

Advice! If there is no magenta color in the set of pencils, then the desired shade can be obtained by applying purple and pink to the same area.

6. Deepen the shadows on the rocks with purple, leaving highlights where the snow lies. For a more detailed study of the shape and cracks on the rocks, it is necessary to apply purple color to the shaded areas of the rocks with neat strokes. On sunlit areas, draw cracks in the same color.

Add shaded and lighted places to the forest areas. For shaded areas, use blue and green, and for illuminated areas, use yellow-green. Strokes should be applied in the direction of tree growth. With a yellow-green pencil, add individual strokes, which are parts of the tree crowns illuminated by the sun.

7. In the foreground, add shadows with a light brown pencil, and also draw individual blades of grass and some plants.

In order to depict the grass, first apply yellow strokes, imitating the direction of growth of individual blades of grass, and then add green strokes.

8. In some places, you can draw the leaves and inflorescences of individual plants.

9. Work on the upper part of the sky with blue, until you get a more saturated shade than in the lower part of it. When working on the sky, do not put pressure on the pencil, a more saturated color can be obtained by applying several hatched layers. At the very top of the sky, add pale strokes with a purple pencil.

Use blue to paint the shaded areas in the background. On the most shaded areas of the middle plan, apply light strokes of blue.

Add pink to the illuminated areas of the distant rocks. Work out the illuminated sections of the rock in the middle ground with pink and orange pencils.

With the same colors that the rocks were drawn, draw their reflections on the surface of the reservoirs. Use pink, purple and blue to paint highlights on the water. These highlights should be very light. The deepest sections of water bodies and those parts that are in the shade should be shaded in blue. Draw the remaining light areas visible on the surface of the water with blue and yellow-green pencils.

In the foreground, depict the shape of the stones in more detail: use gray and blue colors to draw shaded areas on the stones, and use light brown to work out the illuminated areas.

Light brown, yellow-green, green continue to draw the grass. The closer the plants are to the viewer, the more detailed they should be drawn. In shaded areas (under rocks; behind taller plants), add more green blades of grass.

Advice! If there is no light brown color in the set, then the desired shade can be obtained by superimposing yellow and brown strokes on each other.

10. Draw the forest with rough vertical strokes. Over the entire area with a forest, apply vertical strokes of green. Use more green-yellow strokes in the lighted areas, and more green strokes in the darkened areas.

Next, work on the illuminated areas of the forest with light brown on the distant part of the forest and orange strokes on the near part. Shaded areas work with blue strokes.

Take a look around the drawing and, if necessary, add details (for example, plants in the foreground), lighten too dark areas and rough strokes (you should look especially carefully at the sky and water), add more saturated shades, etc.

11. Shade the shaded areas of the forest and the shadows on the crowns of trees with purple and blue colors, and apply yellow strokes to the most illuminated trees. Deepen the shadows of the rock in the middle ground with brown.

Add shadows on the grass. To do this, shade the shaded areas with brown.

In the very foreground, draw shadows among the stones with black. Also draw black strokes among the shaded areas of the nearest blades of grass and plants.

A beautiful landscape with colored pencils for beginners is ready. It remains only to sign the work.

Agnes shared artistic secrets on how to draw a landscape with colored pencils with the readers of the Wings of Inspiration project.

Here you can also find many step-by-step for beginners and the secrets of creating a portrait with your own hands. Don't be afraid that you won't succeed. Try to draw, following the recommendations of step-by-step master classes, take the first steps towards your dream, and the desired result will not keep you waiting. Creative success to you!

Although the Lord has done a lot of problems (not counting illness, crime, hunger, poverty, wars, corruption and Russian pop music), he still managed to create a good atmosphere of life on our planet. Land and water are often capricious, arranging mass sacrifices. But in some places it turned out not bad, you can even take a bunch of cute photos. But we can dig even deeper. In this tutorial you will learn how to draw nature using simple pencil. After that, you can take your drawing tools and boldly go to a cozy place in order to create an indescribable masterpiece. Nature is a symbolic name for everything that the eyes see. The only exception is plastic or reality shows, the rest refers to one formal organism that controls life and has some strange plan for the production and maintenance of its life. Like an ordinary stern boss, nature easily removes any office plankton, sometimes whole species, and, like any girl, loves whims and antics. The last critical days of this lady ended with the birth of Hitler, Hussein and Justin Bieber, which greatly influenced the state of the planet as a whole. It may seem that nature is evil and impeccable, but in fact it does not care exactly the same as a dog does not care about the ethnic origin of fleas in its coat. Suddenly it turns out that nature needs help, and some people firmly believe in it, while they cannot even protect themselves from the local punks. If it suddenly turned out that you are nature itself, then here are your privileges:

• You are beautiful because you are the very concept of being.
• You exist, although you will never really understand it.
• You own all the valuable metals on the planet, which means that you Money don't suffer.
• Your portraits hang in almost every house on every wall.
• There is no need to worry about the fact that you made a mistake, your mistake will either end up in a freak circus or in the red book.
• You can always arrange fireworks from volcanoes.
• You put the bolt on the theory of relativity, because you can be in all places at the same time.
• You can cure cancer, but no one will believe you.

Now take a pencil in your hands and gradually try to draw mother nature.

How to draw nature with a pencil step by step

Step one. We immediately select a small pond with banks with lines, and draw several trees on the banks with the same lines. A few circles in the water will serve to turn into ducks.
Step two. At the bottom we draw tall grass, the circles slowly turn into birds. With a thick line, carefully outline the edges of the coast.
Step three. In this step, switch all attention to the background behind the horizon line. Let's draw clouds there.
Step four. Now draw small waves and shadows on the water, make the grass thicker, and shade the background.
Step five. Residually sketch the missing places on the trees and the ground, and then carefully finish the drawing by shading the ducks.
See more similar lessons on drawing landscapes.

Master Class. Painting a landscape with gouache

Scenery. Drawing lesson

Master class on drawing on the topic:"Painting a Landscape"
Shabelnikova Inna Sergeevna, teacher of fine arts, MBOU DOD DSHI Maslova Pristan, Shebekinsky district, Belgorod region.
The master class is intended for students of middle and senior school age.
Target: To introduce students to the landscape and its types.
Tasks:
educational:
- to give the concept of landscape;
- Familiarize yourself with landscapes
- learn to work with gouache;
developing:
- create conditions for developing the memory, attention of students and the horizons of children;
- create conditions for the development of thinking, the ability to analyze and generalize;
educational:
- to cultivate aesthetic taste in the process of perception of educational material;
- educate love for art, nature.
Teacher Tools:
Format A4 or A3, synthetic brushes of various sizes, gouache, water jar, pencil, eraser, reproductions of artists, methodical development landscape painting step by step.
Student tools:
A4 format, gouache, synthetic brushes, palette, water jar, pencil, eraser.
Progress.
1. Presentation of theoretical material.
The theme of our master class is - scenery. Let's first remember what is a landscape?
Scenery- This is a genre of fine art, the main subject of the image of which is wildlife.
Landscape types:
- Rural landscape. In the rural landscape, artists are attracted by nature in different states, at different times of the year. This is an image of rural life, nature: trees, flowers, shrubs. Such artists as Isaac Ilyich Levitan "Evening. Road in the forest" in 1894 worked in this genre.

Fedor Alexandrovich Vasiliev, Alexei Kondratievich Savrasov spring landscape with a hut." 1890

- Cityscape- in this genre, the main subject of the image is the city, the life of citizens, architecture, etc. One of the representatives of this genre Konstantin Korovin "Street in Florence" 1888

"Paris. Morning." 1906

- Seascape - whose subject is the sea. They are also called marinas. A bright representative of this genre Aivazovsky Ivan Konstantinovich "Ayu-Dag on a foggy day".

- Architectural landscape close to city. But in the architectural landscape distinguishing feature in that the artist pays the main attention to the image of architectural monuments. Nicholas Konstantinovich Roerich addressed the architectural landscape "The courtyard of the Pechora Monastery" 1903

Alexander Nikolaevich Benois "The Rey embankment in Basel in the rain" 1902

-Industrial landscape. Shows the role and importance of man in the development of society. This landscape appeared in Soviet time. The beginning was laid by Boris Nikolaevich Yakovlev “Transport is getting better”.

- Landscape mood. Artists try to find in their paintings an echo of a person's feelings of melancholy, sadness or joy. Representatives of A. Savrasov "Rooks have arrived."

Vasily Dmitrievich Polenov "Moscow courtyard".

- Historical landscape. Image of any historical events. Representatives Nicholas Roerich and A.M. Vasnetsov.

Practical work
Let's cook necessary materials: A4 or A3 sheet, pencil, eraser, gouache, brushes, a jar of water and a palette.

Working with a pencil
stage number 1
- On a sheet of a given format with a pencil, draw a horizon line, just below the middle of the sheet - this is the background.
- On the right side we outline a hillock - this is the foreground.

stage number 2
-From left to right, draw the second hillock - this is the average plan.
- On the horizon line on the right side we depict two houses, one is larger, the other is smaller.
- In the foreground we draw tree trunks.

stage number 3
- We add a few more trees to the middle ground and take into account that the subject of the image decreases with the removal. We draw branches on tree trunks.
- We draw a path on the first hillock.

stage number 4
-In the background we finish drawing two small houses and bushes. Medium plan fill with small spreading bushes.

Working with paints
stage number 5
- We mix blue paint with white on the palette and get a blue color and begin to cover the top of the sheet with it. We make brush movements from left to right and from top to bottom.
- Green + white + blue, mix on the palette and get the color to paint over the bushes in the background.
- We mix white with ocher on the palette and paint over the light side of the buildings, a different amount of white in a mixture of colors will give different colors in lightness, thereby eliminating monotony.
- On the shadow side, paint the buildings brown, also mix with blue and black to get different shades.

stage number 6
You paint a group of trees in the background in several stages:
- We mix grassy green on the palette with whitewash, we get pale green, paint over most of the crown with strokes. We also mix ocher with white for trunks.
- We add a minimum amount of white to the grassy green and apply the same strokes to the crown and draw a brown strip along the trunk from the shady side.
- We take green grassy and emerald green and in places in the shadows we draw the crown and draw the twigs and the trunk in brown.

stage number 3
- We add white, yellow to the ocher and paint over the land behind the hills. And also draw the trees in the foreground.

Stepping through a group of trees in the foreground:
- We paint over the tree trunks in the foreground already in the existing color on the watering light ocher and light green draw branches, a little torn, so that our branches look natural.
- We interfere with the color tone darker and draw a strip along the trunk from the shadow side and slightly tint the trunk below, as shown in the figure. With grassy green, draw stripes on the foliage from top to bottom, showing a shadow.
- We finish the final touches on the foliage with green emerald paint, as if drawing needles. We outline the direction of the branch in dark brown, and also draw the details on the trunk, as shown in the figure.

stage number 4
- In the middle ground, we need to stretch from light green and gradually saturate the color closer to the foreground (green + white), painting over the bushes.
- We paint over the bushes green + yellow + white, since they are in the middle ground, we muffle the color with white.

stage number 4
- The foreground should be brighter and more saturated, and therefore for the top of the hillock, it is necessary to mix emerald green + yellow, to the bottom the amount of yellow should be minimal, the main color is emerald green.

stage number 5
- By the same principle, stretching from light brown + white to brown + yellow, draw a path.
- We are finalizing the bushes in the middle ground, drawing twigs and adding shadows on the foliage with green paint. We draw grass in the foreground.

Hi all! I note with horror that I have not written for almost half a year, but it seems that I just finished the last article yesterday. I didn’t write, but I drew, because it seems I can’t help but do it, even if there is a heavy workload on all fronts, still no, no, yes, I’ll draw some kind of sketch, and then another one, and then you will see a cool book, you start reading, you light up, well, off we go 🙂

So, I want to start with what I did not have time to talk about in my previous articles. This my landscapes in pencil. Here it seems to me that some kind of quantum leap happened to me and I began to understand how to handle a pencil, and to try its possibilities with interest, and in general I really liked it while drawing this series of works.

In many books on drawing with a pencil, learning begins like this: we take a pencil, sharpen it correctly, make such a stroke, do this, tilt, rotate, make a line of different thicknesses. And most people read this, nodding in agreement, yes, yes, but when will we learn to draw? That is, in fact, misses. And I was no exception. It was interesting for me to immediately copy some proposed plot and it seems to be similar, but something is not right at all. And there is no lightness, and it looks somehow boring.

Here coal in this regard gave a great return, then I immediately began to turn it in different directions, try to draw with different thicknesses and different ways tint. And I thought, if I can achieve lightness, understatement and imagery with charcoal, then can I do the same with a pencil. And I started looking for information and thinking.

But before that, I took out all my graphic materials and started to deal with them. I sharpened all my pencils correctly, revised what I have. I chose the best and started to try.

Having exhausted a couple of office sheets for samples and touches, feeling that I was starting to like it all and there was a huge scope for experiments, I decided to take on a full-fledged plot. And here's what I got.

I drew this story for a long time. Hours 2-3. This is an A5 sketchbook. That is, these huge mountains, slopes, firs, water, all this is very small in fact. And when you look, it’s hard to imagine for someone who hasn’t tried to draw it that you can do so much time here. And then just all these strokes, work with tone, and also, if you look closely at the drawing, you can see that it seems to dissolve at the edges. As if someone had cleared the sand with his hand, and there was a landscape. This analogy was given in one of her live broadcasts by Elena Tatkina (teacher of academic drawing and pastels), I really liked it and I took it into service. And after finishing this drawing and not completely believing what I did, I was very inspired and drew a few more landscapes.

This was my second landscape.. Here the task was more difficult, it was necessary to draw water, convey the volume of stones, depict trees so that they do not merge into a single spot, but at the same time look harmonious. Dissolve the background so that there is a sense of space. If someone wants to repeat this drawing, then pay attention to these things, and of course to different types strokes, and then, like a drawing, as in the previous plot, it does not rest on the edge, but gradually goes into innuendo. I spied on these two stories in the book Drawing the Landscape, by William F. Powell. I recommend it, it is small, but the main thing is not to read it, but to try to draw the plots on your own, thinking through each element, analyzing and experimenting with the stroke and the image of the form. I slightly changed the plot for myself in the process of work, but this is the only way to learn something in my opinion.

In general, having gained even more confidence, I continued to draw landscapes with a pencil.

An important point, in order to fully work with a pencil and at the same time not smear the already drawn elements, calmly add tone and not worry about the safety of the drawing, I first used tracing paper, and then a thick transparent film. The one that is used in the transparent part of the boxes for dolls, in fact, took it from there. It turned out to be very convenient and I even transferred this practice to drawing in other techniques, including watercolors. If there is no such film, you can use tracing paper, a sheet of office paper, even just a napkin. But the advantage of the film is that it is transparent and the whole drawing is visible, this is one, and it keeps its shape and does not fidget at hand while you draw, that's two. Therefore, on this moment this is my must have.

Regarding materials, then all the plots in this article are drawn with a Kohinoor 3B pencil (such a yellow one), now this is my favorite pencil for this kind of work. In the photo there is a pencil of the same company, but 2B, I made a light-light sketch with it before starting work, to work out the darkest places I took a softer 6B pencil. But then I realized that you can do the same with one pencil (3B), only increasing / decreasing the pressure.

Yes, and more. For these drawings, I did not use a regular wash at all, only a nag to carefully remove the unnecessary. But you need to understand that the nag is not able to erase a strongly depressed pencil, so you need to draw carefully and think carefully before pressing and intensifying the tone. We do not need extra dirt in the picture, right? 🙂

And then I received a package with Rembrandt pastels and I switched to it, but this experience of drawing with a pencil gave me a lot. Now I happily continue to draw pencil sketches, quick sketches, sketches in a small camping sketchbook. Here is such a plan. I draw both with a regular pencil and with watercolors. I really like how dark brown and dark blue pencils look in a one-color drawing.

Both of these drawings were made while I was expecting a child from a music school, now I almost always take a sketchbook and pencils with me, sometimes even a watercolor travel set. And if the conditions are not very comfortable for drawing, then I take out a book. I downloaded various inspiring drawing books on my iPad and bought several in paper form, so I completed my waiting leisure time well, realizing that 6 classes a week are not jokes 🙂

I understood, time is a priceless resource and I want not to kill him in a forced expectation, but to see him off pleasantly and usefully. And every day, when I pick up a pencil or a brush, I remember in detail: smells, sensations, emotions, mood, colors around.

And I draw, draw, to snatch bright sparks from the routine of identical days. real life, which at every moment is so different and bewitching in fact. And which we all miss in one way or another, closing with our usual pattern of perception. And I'm glad that I finally have a tool that breaks through this pattern and allows you to see what makes life alive, pulsating and multifaceted.

That's all for now, but more to come! I have accumulated so much information during the time that I did not write that I want to stop, analyze, sum up, and tell about all the most interesting and useful here, of course 🙂