Honored Master of Artistic Gymnastics Elena Bukreeva. Aerobics, television and Soviet erotica

In the distant 80s, residents Soviet Union the concept of "fitness" was unfamiliar, but they all had an idea of ​​what rhythmic gymnastics was - after all, that was what aerobics was called in those years. Beautiful slender girls in bright bathing suits, gracefully dancing to rhythmic music, encouraged thousands of housewives and business women to look after their figure.

You may be interested to know that this direction was once developed by a Swiss composer and teacher to improve the connection between nervous and muscular system person. Therefore, regular rhythmic gymnastics develops memory and concentration well.

And a good mood and excellent health for the whole day after each, even a short, workout are guaranteed to you! Rhythmic gymnastics with Elena Bukreeva, Natalya Efremova, Natalya Linichuk, Lilia Sabitova and other popular athletes and TV presenters were regularly broadcast on central TV channels, arousing interest in sports, beauty and healthy lifestyle life.

Today, rhythmic gymnastics of the 80s, or rhythmics, has become available again thanks to the active development of the Internet. Now everyone has the opportunity to watch online and perform the complex they like at home, just as it was done several decades ago.

Even those who have never done rhythmic gymnastics and have not watched its broadcast on television can get acquainted with this interesting way to maintain a slim figure and good mood by working out under the guidance of a competent instructor. Well, for those who once managed to make friends with rhythm, you can remember your youth and, as they say, shake the old days by performing a set of familiar but forgotten exercises.

With the help of rhythmic gymnastics, you will not only invigorate sleeping muscles and burn a few hundred calories - you will learn to move more collected, graceful, graceful and at the same time relaxed.

With the help of rhythmic gymnastics, you will not only invigorate sleeping muscles and burn a few hundred calories - you will learn to move more collected, graceful, graceful and at the same time relaxed!

Rhythmic gymnastics of the 80s (video):

Rhythmic gymnastics at sea (1988)

The sea, disco lights, beautiful flexible girls in swimsuits, smiling broadly at the camera. The video is simply saturated with joy, sunshine and nostalgia and reflects all the romance of the 80s.

Rhythmic gymnastics with Natalia Efremova:

Incredible slender flexible beauties will show an example of dance gymnastics. The complex begins with a warm-up, during which the muscles warm up.

Rhythmic gymnastics with Elena Bukreeva (1985):

Playful and dynamic exercises with a pleasant trainer Elena Bukreeva to light music (group warm-up):

Rhythmic gymnastics with Elena Bukreeva (1986)

Rhythmic gymnastics with Svetlana Rozhnova and Oleg Knysh (1990)

A bit touching, funny by today's standards training under the guidance of two famous Soviet athletes. A good selection of exercises and definitely a huge charge of positive emotions.

Rhythmic gymnastics with Lilia Sabitova (1985)

“Light rhythmic music sounds, you are in a good mood, you feel a surge of strength” - this TV show begins with these words.

Rhythmic gymnastics with Elena Skorokhodova (1985)

Rhythmic gymnastics with Natalia Linichuk (1984)

Rhythmic gymnastics with Igor Bobrin and Natalia Linchuk (1985)

Rhythmic gymnastics reviews:

I liked the first video. Nice girl, nice program, very good for flexibility and harmony). Many of the modern ones are clearly losing.

It's interesting so ... nostalgia) (Dasha E)

In the 80s, rhythmic gymnastics complexes and aerobics classes were very popular in the USSR, which were shown on central television. Elena Bukreeva, Honored Master gymnastics, in March 1985 she was the host of the third complex of rhythmic gymnastics. After the show of this issue, Elena's popularity in the Soviet Union increased significantly.

Her slender figure, as an example to follow, often flashed on the covers of beauty and fashion magazines of that time, often her image could be found on a calendar and a poster calling for keeping fit.

Her set of exercises is still relevant. Gymnastics is designed for the average Soviet middle-aged woman with no special athletic skills, who lives in a small apartment with strict neighbors downstairs. Many of the ladies who opposed this idea often sawed their husbands, as they saw in this aerobics only the erotic messages of girls.

How else? These tight leggings, leggings, cosmetics on the face, hairstyle - in a word, slender girls made the "hostesses", meek and. . . grey. But let's not talk about that. First of all, the benefits of Elena Bukreeva, as a performer of rhythmic gymnastics, are interesting.

Rhythmic gymnastics has always been accompanied by music, which was used not only as a background. Thanks to her movements, clarity and conciseness were visually imparted. Music created the mood, and Elena's peppy commands could not help but arouse a great desire to follow them. In addition, if you approach this issue from the point of view of physiology, music contributes not only to auditory, but also to muscle memory.

Rhythmic sounds affect the heartbeat, and in combination with physical activity is a real trainer of cardio-vascular system. Thus, the gymnasts received both a good mood and a healthy state of the body.

Elena Bukreeva has always differed from other leaders in that her exercises were original in performance, and her red suit did not go out of the memory of all those involved for a long time. This visual reinforcement of exercise has big weight in the process of improving your body. Almost dance exercises aroused interest from outside younger generation and not only. And leggings and various details of a gymnastic suit made a significant contribution to the fashion of that time.

Thanks to the exercises of Elena Bukreeva, aerobics or rhythmic gymnastics, it was considered fashionable and prestigious to engage in. The desire to pull up the figure led the population to the fact that their ordinary, unremarkable Soviet life included additional order. Aerobics classes to some extent disciplined the population, and strict order and discipline is, perhaps, the only thing the government aspired to.

Aerobics with Elena Bukreeva is aimed at developing various muscle groups. This includes exercises in starting positions standing, sitting, lying down, as well as jumping, which have peak loads. In her program, the muscle groups of the arms, shoulder girdle, chest, abdominals, back, hips, legs and buttocks are consistently worked out. Moreover, exercises for different muscle groups can be performed simultaneously, which saves time, but does not reduce the effectiveness of muscle loads.

The lesson can be divided into 2 parts - rhythmic and power. In the rhythmic part, the movements are usually performed in a standing position. These are various semi-squats, steps, swings, jumps, a springy step and other leg exercises, which are accompanied by hand movements and body turns.

During the power part, a sitting and lying position is taken in order to focus maximum attention and strength on working out certain muscle groups. In a sitting and lying position, Elena Bukreeva alternates exercises according to the impact: swings - tilts, push-ups - body turns, stretching - relaxation.

Aerobics ends with Boukreeva reducing the total load to a minimum. This contributes to the gradual return of the body to its normal state, which does not lead to internal state stress and exhaustion. With this step-by-step departure from intense loads, you maintain a cheerful mood, physical endurance and energy for the whole day. This block includes relaxation and breathing exercises.

Modern girls often resort to her video classes, as it is convenient and economical. Having spent half an hour of her time a day to perform a set of exercises by Elena Bukreeva, the female half of now Russia receives a noticeable result. Of course, it is worth recalling the regularity that girls should follow. After all, there is no result without constant training and repetition.

Many resort to aerobics, accompanied by Elena Bukreeva, because since childhood they have performed a set of her exercises, when mothers, who care about their figure, for a while left their household chores and devoted themselves to TV.

Currently, downloading a course of her classes from the Internet is not so difficult. The problems remained the same, and everyone wants to have a slender figure. But, neither the products in today's stores, nor the air that everyone breathes, contribute to maintaining the body in good shape. In the USSR, they still, perhaps, did not know about these unfortunate carcinogens, toxic exhausts and the dishonesty of suppliers of products that then end up on the table. However, the attitude to the body as a system that needs to be taken care of, dealt with and cultivated physical activity was relevant everywhere. Well, now - with all the informational violence, only repeating that it is worth paying close attention to the body - there is a certain ignorance of this fact. Paradox. Isn't it time to draw attention to yourself? And start with the old-fashioned records of Elena Bukreeva? Her work is still in demand, still needed and still effective. Perhaps it is this gymnastics that will become the best sports simulator for many modern women.

Now the representatives of "NTV-Plus" will be a little pleased.

Today, a friend, the owner of a cool foreign car and a three-story chic cottage, expressed a desire to switch to the official viewing of the NTV-Plus package. The reason is banal - the TV channel "Nostalgia", which the spouses stare "to the holes" through a legal subscription fee is cheaper than through pirated cardsharing. So why pay more then?

Yes, the Nostalgia TV channel is perhaps one of the few SD-television gems that adorns the package of the oldest DTH operator in Russia. On the air of the TV channel you can see a lot of curious, with modern point vision, television. When the channel first appeared, I remember sitting and updating my news site (sat-news.ru) with "Rhythmic Gymnastics" with Elena Bukreeva. Now all the issues of Soviet aerobics can be viewed on YouTube, but then in 2004 there was clearly not enough Internet to watch online videos. Not to mention the fact that it was very expensive, and there was, in fact, almost nothing to see there.

And on the website of "Nostalgia" there was a forum where the administration of the TV channel turned to visitors - suggest topics for broadcast! It's a pity that there is no forum now. Because I would propose to the program "Born in the USSR" a theme about the 30th anniversary of the Soviet children's short film "Dangerous Trifles". Why? Let's look carefully:

Regular readers of my LiveJournal probably paid attention to the small role of Natasha Guseva, thanks to which she was noticed by the director Pavel Arsenov, who subsequently shot "Guest from the Future".

But another girl starred in this tape, who will become recognizable, and after the first "Last Hero", where Sergei Bodrov Jr. was still leading (before his death), she will become popular.

This is Inna Churkina. A year later, she will star in a short episode of "Guests from the Future", in the late 80s she will participate in one of the first Soviet beauty contests "Moscow Beauty", and then she will become Gomez, get divorced, return from Spain, become a popular fashion model, act together with the future "Ivanushka" (Kirill Andreev) in "Pink Flamingo",

And then there will be "Call Kuza" (remember such a children's program?), " Last Hero", participation in various film and television shootings. There will be the birth of the first child at the age of 32 and again bad marriage. Then - the dubbing of two parts of "The Adventures of Alyonushka and Yeryoma" and after - silence ... The last film with the participation of Inna Gomez was released in 2010.

What happened and where did she go?

Everything is very simple. The actress finally found happiness in marriage, gave birth to her second child (and she was almost 40) and is now involved in charity work. On LiveJornal there is a magazine "Help a child", to which she is directly related.

There is an opinion that the so-called "models" are "dummy". Hope you understand what I mean. But listen to Inna's direct speech, where she talks about what she is doing now (shooting - early 2013):

... Is that not the plot for the next issue of "Born in the USSR"?

And another thought. And at least one of the current "models" who were already born in modern Russia, can stay at 43 not only attractive woman, but also to become a spiritually rich person, as we see in the case of Inna Gomez? The question, it seems to me, is rhetorical.

P.S. And about a friend, I embellished a little :)
But the fact that he will go to the official viewing of "NTV-Plus" because of "Nostalgia" is pure truth!

And for medical purposes.

A bunch, or composition - that is, a dance using the basic elements of aerobics, performed synchronously by a team of 8, 6, 3 people, a man-woman pair or solo. The duration of the combination, from 1 minute to 3.5 minutes, is set by the rules of a particular event.

The main components of the bundle: jack (jack), lunch (lunch), skip (skip), jump (jump), knee-up / knee (knee-up), step (step), run, chasse, mamba, overlap, kick ( swing forward, kick), side (swing to the side, side), tap (tap) and others.

Elements of dance - physical exercise or jumps, the number of which is determined by the rules of the competition, the category to which the team belongs.

Elements of dance category "improving aerobics"

• push-ups on the knees;
• balance (standing on one leg, not bent at the knee, motionless, tilting the body parallel to the floor and straightening the second leg and the opposite arm horizontally so that they form a straight line with each other and with the body);
• corner with a pistol (raising one leg horizontally to the floor on the hands with the muscles of the press, holding the other leg on the shoulder);
• “fold” (reduction of the upper body with legs, sitting on the floor, with straightened knees and stretched socks);
• women's twine;
• jump "straddle" or "jump" (a jump from two legs with their spreading to the sides as much as possible, as soon as the stretch allows, and bringing them back in the air with a landing on two legs together);
• jump "horse" or "kangaroo" (jump from two legs while pulling the knees to the chest).

Sports aerobics

• push-ups in an emphasis lying, in an emphasis lying elbows back;
• corner of the leg together (horizontal raising the legs above the floor on the hands with the abdominal muscles for 4 or 8 counts);
• rotate the angle by 90, 180 and 360 degrees;
• "horse";
• straddle (a jump from two legs at the same time, with the help of the muscles of the legs and the press, spreading the legs in the air, as far as stretching allows, while bringing the legs almost to the horizontal with some “folding” of the body forward);
• "fold";
• crawling through the twine, max and others.

The number of elements and the degree of their implementation depends on the age and sports category of the team.

There are recreational aerobics, sports and recreational aerobics, sports aerobics. There is also basic aerobics (without additional shells and elements), step aerobics (using a step platform), fitball aerobics (aerobics on fitballs).

Aerobics in the USSR

Check information.

In the Soviet Union, from 1985 to 1991, 13 rhythmic gymnastics complexes were shown on Central Television.

• In 1984, the program debuted on screens with a release hosted by famous figure skater Natalia Linichuk. Performers - Elena Novozhilova, Zhanna Smirenina, Kaleria Studenikina, Irina Cherichenko, Dmitry Mishakov, Nikolai Tugov. Composer A. Kiriak, the opening song is performed by Sergey Minaev.
• The second issue of aerobics was held by the equally famous ballerina Lilia Sabitova, it was shown on television from January to March 1985. The complex used the melodies of the Dutch group "Stars on 45". Performers - Elena Bukreeva, Alla Pravdina, O. Savelyeva, Kaleria Studenikina, Nikolai Tugov, Yuri Shcherbakov.
• The third complex of rhythmic gymnastics was conducted by the Honored Master of Sports in artistic gymnastics Elena Bukreeva (March - April 1985). Composer - Jean-Michel Jarre (France). The melody of running is “Time for business, hour for fun” from the repertoire of Alla Pugacheva. The melody before the final part is "Who is to blame" by Viktor Reznikov with a soundtrack by Valery Leontiev. Performers - Elena Novozhilova, Alla Savchenko, E. Samsonova, Kaleriya Studenikina, Nikolai Tugov, Yuri Shcherbakov.
• The host of the fourth complex was the theater and film actress Elena Skorokhodova (May - June 1985). In this release, the music of the first three complexes was used, except for running ("The world around is a continuous confusion" by Hightower and Denny), lying down and invigorating ending. Performers - Elena Bukreeva, I. Kolokolova, Alla Pravdina, Alla Savchenko, A. Ignatiev, Nikolai Tugov.
• The fifth issue of rhythmics was held by two presenters at once - Natalia Linichuk and Igor Bobrin. This is the first complex in which exercises in a standing position are divided into two parts: warm-up and main part. The release was unusual in that the exercises are performed not only in the halls, as in previous complexes, but in nature (July - August 1985). Filming took place in the Dynamo Sports Palace, the Izmailovsky forest park and on the cycle track in Krylatsky. Natalia Linichuk: "The first exercise - left hand up, right - on the belt, one or two ... ". For the first time, the sound range of the complex was presented in full by the compositions of one author - Z. Liepinsh ("Die Hard" - warm-up, "Die Hard-2" - the main part, "Die Hard-2" (muted sound) - an episode with learning the exercises of the main part, "Shuttle" - running part (after warm-up), "Revival" - checking the pulse, the final part, "Again the stars" - the beginning, the main part (the first two exercises), sitting and lying exercises). The complex sounded a song performed by Vladimir Dubinin and the group "Rhythm" "The twentieth century is a century of movement." Fragment with learning the exercises of the main part at the start of release usually cut out. Now on the Internet this fragment is placed after the main part, which is irrational. The performers are an experimental rhythmic gymnastics group led by Igor Bobrin, I. Kolokolova, L. Lomakina, Alla Pravdina, Alla Savchenko, B. Ivliev, A. Ignatiev, Nikolai Tugov, Alla Pugacheva’s ballet team (there is a version that the extreme participant with a braided oblique in a yellow-lilac dress - her daughter Kristina Orbakaite, although at that time she was 14 years old and it is unlikely that she took part in the filming).
• Elena Bukreeva again became the host of the sixth complex (October - December 1986). The composer for this release is Chris Kelmi. Performers - L. Lomakina, Tatiana Onischuk, Alla Pravdina, O. Savelyeva, Alla Savchenko, E. Plotkin, Yuri Shcherbakov.
• The seventh complex was led by Igor Bobrin, classes were held both in the gym and outdoors in winter time year (January - March 1987). The author of the music of this complex is also Chris Kelmi. Voice-over - Elena Bukreeva. Performers - A. Antonova, E. Vasyukova, N. Karamysheva, O. Filippova, I. Lisovsky, I. Okunev.
• The eighth edition of aerobics was led by Natalia Efremova (Korch) - the debut took place in May 1987. Performers - T. Kolomyets, N. Opletaeva, V. Palladyeva, L. Prokhorova, G. Rozovskaya, Svetlana Rozhnova, N. Serafimova, A. Ilchinin, B. Maslov, B. Opletaev, A. Semikov, children Liza and Ilya ( children of the host Natalya Efremova), at that time members of the children's ensemble "Kukushechka".
• The ninth rhythmic complex was conducted by Svetlana Rozhnova, it is called "On the Sea" - aerobics classes are held in the southern resort Black Sea coast Krasnodar Territory - in the Dagomys microdistrict. The composer of the release is Vadim Lashchuk, the leader of the Kyiv rock band "Display", which accompanied the classes in a live mix. At the beginning of the complex, he performed a short rap "Plasticity - gymnastics", which became the motto of this complex, and in the middle, in the running part, he performed the song "Joy of Movement". The complex had an application that was broadcast in the Good Morning program - a morning workout. There is evidence that the complex was cut down (in learning it is used White background, as in the sixth complex). Performers: Alexandra Vasilyeva, Elena Zakharova, Tatyana Onischuk, Olga Mergeeva, Irena Cherne.
• The tenth in a row on the Central Television broadcast the release of "Apartment" (March - April 1989). Four presenters from previous editions took part in it at once: Natalia Efremova, Lilia Sabitova, Elena Bukreeva and Svetlana Rozhnova.

It is not known where the shooting took place (there are two versions of the legend: 1. Classes were held in the apartment of Natalia Efremova. 2. The release was filmed in the Baltic States.) It used melodies of popular foreign disco hits. The performers are the children of Natalia Efremova, Ilya and Lisa. Here Ilya grew up, he is 5 years old. Also, this complex had an application that Natalya Efremova led with her son Ilya, in which they learned exercises specifically for children. Sergei Cheskidov interviewed the presenters while learning the exercises. At the beginning of the complex, Natalya Efremova was sorting out letters from fans of the program. There is evidence that the complex was cut down (in learning, Ilya learned to practice in the living room)

• The eleventh aerobics complex (in the American style) was led by Svetlana Rozhnova and the then-famous movie actor Oleg Knysh. He appeared on television in May 1990. Also in June 1990, three additional complexes were shown, the hosts of which were constantly changing: the first - all participants in turn with Oleg Knysh, the second - Oleg Knysh, the third - Inna Ignatova. Performers: Elena Makaenkova, Victoria Tereshchenko, Tatyana Zimanova, Svetalana Semenova, Andrey Bobykin, Sergey Kondrashov
• The twelfth complex was held against the backdrop of Russian nature to Russian folk melodies arranged by Yuri Poteenko. The host of the issue was Inna Ignatova (July - September 1990). Performers: Alla Dorofeeva, Tatyana Zimanova, Elena Makaenkova, Galina Meshcheryakova, Svetlana Semenova, Victoria Tereshchenko, Oleg Knysh.
• The thirteenth complex was filmed in the USA. The host of this complex was Jane Fonda, voice-over translation into Russian - Inna Ignatova (July - August 1991). This release was the last and was broadcast until the collapse of the USSR.

Currently (as of the beginning of 2013), the complexes are periodically repeated on the Nostalgia TV channel.

Music for aerobics

In 1983, Electrola released an album by the Aerobic Sound Band called "Aerobic - Dancing". The album is made in the form of a non-stop disco.

In 1984, the Melodiya company released the disc Rhythmic Gymnastics.

In 1988, the Melodiya company released the self-titled album of the studio duo Display, which included Kiev musician Vadim Lashchuk and his wife Ellen Kreis. The instrumental piece "Running for ten thousand meters", which occupied the second side of the plate, was used in the ninth edition of the rhythmic gymnastics "On the Sea". Also in this program, his song “Joy of Movement” sounds. It was previously assumed that Lashchuk himself acted as a disc jockey, but in fact it is a DJ from Sochi Alexander Gorbunov.

For aerobics, specially recorded music is used without gaps between songs (tracks). Usually the duration of the disc is 50-60 minutes, at the end they add a composition for stretching and relaxation. For each type of aerobics, music of different impact (frequency) and style is used. For example, for step aerobics, the impact is usually 130-136, 132-138 beats per minute, for box aerobics - 135-145 and higher.

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An excerpt characterizing Aerobics

He gave the paper to Alpatych.
“And yet, since the prince is unwell, my advice is for them to go to Moscow. I'm on my own now. Report ... - But the governor did not finish: a dusty and sweaty officer ran in the door and began to say something in French. Horror appeared on the Governor's face.
“Go,” he said, nodding his head to Alpatych, and began to ask the officer something. Greedy, frightened, helpless looks turned to Alpatych when he left the governor's office. Involuntarily listening now to the close and ever-increasing shots, Alpatych hurried to the inn. The paper given by Governor Alpatych was as follows:
“I assure you that the city of Smolensk does not yet face the slightest danger, and it is unbelievable that it would be threatened by it. I am on one side, and Prince Bagration on the other side, we are going to unite in front of Smolensk, which will take place on the 22nd, and both armies with combined forces will defend their compatriots in the province entrusted to you, until their efforts remove the enemies of the fatherland from them or until they are exterminated in their brave ranks to the last warrior. You see from this that you have the perfect right to reassure the inhabitants of Smolensk, for whoever defends with two such brave troops can be sure of their victory. (Order of Barclay de Tolly to the civil governor of Smolensk, Baron Ash, 1812.)
People moved restlessly through the streets.
Carts loaded on horseback with household utensils, chairs, cabinets kept leaving the gates of the houses and driving through the streets. In the neighboring house of Ferapontov, wagons stood and, saying goodbye, the women howled and sentenced. The mongrel dog, barking, twirled in front of the pawned horses.
Alpatych, with a more hasty step than he usually walked, entered the yard and went straight under the shed to his horses and wagon. The coachman was asleep; he woke him up, ordered him to lay the bed, and went into the passage. In the master's room one could hear a child's cry, the woman's shattering sobs, and Ferapontov's angry, hoarse cry. The cook, like a frightened chicken, fluttered in the passage as soon as Alpatych entered.
- Killed him to death - he beat the mistress! .. So he beat, so dragged! ..
- For what? Alpatych asked.
- I asked to go. It's a woman's business! Take me away, he says, do not destroy me with small children; the people, they say, all left, what, they say, are we? How to start beating. So beat, so dragged!
Alpatych, as it were, nodded approvingly at these words and, not wanting to know anything else, went to the opposite door - the master's room, in which his purchases remained.
“You are a villain, a destroyer,” a thin, pale woman with a child in her arms and a handkerchief torn from her head shouted at that moment, bursting out of the door and running down the stairs to the courtyard. Ferapontov went out after her and, seeing Alpatych, straightened his waistcoat and hair, yawned and went into the room after Alpatych.
- Do you want to go? - he asked.
Without answering the question and not looking back at the owner, sorting through his purchases, Alpatych asked how long the owner followed the wait.
- Let's count! Well, did the governor have one? Ferapontov asked. - What was the decision?
Alpatych replied that the governor did not say anything decisively to him.
- Shall we go away on our business? Ferapontov said. - Give me seven rubles for a cart to Dorogobuzh. And I say: there is no cross on them! - he said.
- Selivanov, he pleased on Thursday, sold flour to the army at nine rubles per bag. So, are you going to drink tea? he added. While the horses were being laid, Alpatych and Ferapontov drank tea and talked about the price of bread, about the harvest and the favorable weather for harvesting.
“However, it began to calm down,” Ferapontov said, having drunk three cups of tea and getting up, “ours must have taken it.” They said they won't let me. So, strength ... And a mixture, they said, Matvey Ivanovich Platov drove them into the Marina River, drowned eighteen thousand, or something, in one day.
Alpatych collected his purchases, handed them over to the coachman who entered, and paid off with the owner. At the gate sounded the sound of wheels, hooves and bells of a wagon leaving.
It was already well past noon; half of the street was in shade, the other was brightly lit by the sun. Alpatych looked out the window and went to the door. Suddenly, a strange sound of distant whistling and impact was heard, and after that there was a merging rumble of cannon fire, from which the windows trembled.
Alpatych went out into the street; two people ran down the street to the bridge. Whistles, cannonballs and the bursting of grenades falling in the city were heard from different directions. But these sounds were almost inaudible and did not pay the attention of the inhabitants in comparison with the sounds of firing heard outside the city. It was a bombardment, which at the fifth hour Napoleon ordered to open the city, from one hundred and thirty guns. At first, the people did not understand the significance of this bombardment.
The sounds of falling grenades and cannonballs aroused at first only curiosity. Ferapontov's wife, who had not stopped howling under the barn before, fell silent and, with the child in her arms, went out to the gate, silently looking at the people and listening to the sounds.
The cook and the shopkeeper came out to the gate. All with cheerful curiosity tried to see the shells flying over their heads. Several people came out from around the corner, talking animatedly.
- That's strength! one said. - And the roof and ceiling were so smashed to pieces.
“It blew up the earth like a pig,” said another. - That's so important, that's so cheered up! he said laughing. - Thank you, jumped back, otherwise she would have smeared you.
The people turned to these people. They paused and told how, near by, their cores had got into the house. Meanwhile, other shells, sometimes with a quick, gloomy whistle - cannonballs, then with a pleasant whistle - grenades, did not stop flying over the heads of the people; but not a single shell fell close, everything endured. Alpatych got into the wagon. The owner was at the gate.
- What did not see! he shouted at the cook, who, with her sleeves rolled up, in a red skirt, swaying with her bare elbows, went to the corner to listen to what was being said.
“What a miracle,” she said, but, hearing the voice of the owner, she returned, tugging at her tucked-up skirt.
Again, but very close this time, something whistled like a bird flying from top to bottom, a fire flashed in the middle of the street, something shot and covered the street with smoke.
"Villain, why are you doing this?" shouted the host, running up to the cook.
At the same instant, women wailed plaintively from different directions, a child began to cry in fright, and people silently crowded around the cook with pale faces. From this crowd, the groans and sentences of the cook were heard most audibly:
- Oh, oh, my darlings! My doves are white! Don't let die! My doves are white! ..
Five minutes later there was no one left on the street. The cook, with her thigh shattered by a grenade fragment, was carried into the kitchen. Alpatych, his coachman, Ferapontov's wife with children, the janitor were sitting in the basement, listening. The rumble of guns, the whistle of shells, and the pitiful groan of the cook, which prevailed over all sounds, did not stop for a moment. The hostess now rocked and persuaded the child, then in a pitiful whisper asked everyone who entered the basement where her master was, who remained on the street. The shopkeeper, who entered the basement, told her that the owner had gone with the people to the cathedral, where they were raising the miraculous Smolensk icon.
By dusk, the cannonade began to subside. Alpatych came out of the basement and stopped at the door. Before a clear evening, the sky was all covered with smoke. And through this smoke a young, high-standing sickle of the moon shone strangely. After the former terrible rumble of guns had fallen silent over the city, silence seemed to be interrupted only by the rustle of steps, groans, distant screams and the crackle of fires, as it were spread throughout the city. The groans of the cook are now quiet. From both sides, black clouds of smoke from fires rose and dispersed. On the street, not in rows, but like ants from a ruined tussock, in different uniforms and in different directions, soldiers passed and ran through. In the eyes of Alpatych, several of them ran into Ferapontov's yard. Alpatych went to the gate. Some regiment, crowding and hurrying, blocked the street, going back.
“The city is being surrendered, leave, leave,” the officer who noticed his figure said to him and immediately turned to the soldiers with a cry:
- I'll let you run around the yards! he shouted.
Alpatych returned to the hut and, calling the coachman, ordered him to leave. Following Alpatych and the coachman, all Ferapontov's household went out. Seeing the smoke and even the lights of the fires, which were now visible in the beginning twilight, the women, who had been silent until then, suddenly began to wail, looking at the fires. As if echoing them, similar cries were heard at the other ends of the street. Alpatych with a coachman, with trembling hands, straightened the tangled reins and horses' lines under a canopy.
When Alpatych was leaving the gate, he saw ten soldiers in the open shop of Ferapontov pouring sacks and knapsacks with wheat flour and sunflowers with a loud voice. At the same time, returning from the street to the shop, Ferapontov entered. Seeing the soldiers, he wanted to shout something, but suddenly stopped and, clutching his hair, burst out laughing with sobbing laughter.
- Get it all, guys! Don't get the devils! he shouted, grabbing the sacks himself and throwing them out into the street. Some soldiers, frightened, ran out, some continued to pour. Seeing Alpatych, Ferapontov turned to him.
- Decided! Russia! he shouted. - Alpatych! decided! I'll burn it myself. I made up my mind ... - Ferapontov ran into the yard.
Soldiers were constantly walking along the street, filling it all up, so that Alpatych could not pass and had to wait. The hostess Ferapontova was also sitting on the cart with the children, waiting to be able to leave.
It was already quite night. There were stars in the sky and a young moon shone from time to time, shrouded in smoke. On the descent to the Dnieper, the carts of Alpatych and the hostess, slowly moving in the ranks of soldiers and other crews, had to stop. Not far from the crossroads where the carts stopped, in an alley, a house and shops were on fire. The fire has already burned out. The flame either died away and was lost in black smoke, then it suddenly flashed brightly, strangely clearly illuminating the faces of the crowded people standing at the crossroads. In front of the fire, black figures of people flashed by, and from behind the incessant crackle of the fire, voices and screams were heard. Alpatych, who got down from the wagon, seeing that they would not let his wagon through soon, turned to the alley to look at the fire. The soldiers darted incessantly back and forth past the fire, and Alpatych saw how two soldiers and with them a man in a frieze overcoat dragged burning logs from the fire across the street to the neighboring yard; others carried armfuls of hay.
Alpatych approached a large crowd of people standing in front of a high barn burning with full fire. The walls were all on fire, the back collapsed, the boarded roof collapsed, the beams were on fire. Obviously, the crowd was waiting for the moment when the roof would collapse. Alpatych expected the same.
- Alpatych! Suddenly a familiar voice called out to the old man.
“Father, your excellency,” answered Alpatych, instantly recognizing the voice of his young prince.
Prince Andrei, in a raincoat, riding a black horse, stood behind the crowd and looked at Alpatych.
– How are you here? - he asked.
- Your ... your Excellency, - Alpatych said and sobbed ... - Yours, yours ... or have we already disappeared? Father…
– How are you here? repeated Prince Andrew.
The flame flared brightly at that moment and illuminated Alpatych's pale and exhausted face of his young master. Alpatych told how he was sent and how he could have left by force.
“Well, Your Excellency, or are we lost?” he asked again.
Prince Andrei, without answering, took out notebook and, raising his knee, he began to write with a pencil on a torn sheet. He wrote to his sister:
“Smolensk is being surrendered,” he wrote, “the Bald Mountains will be occupied by the enemy in a week. Leave now for Moscow. Answer me as soon as you leave, sending a courier to Usvyazh.
Having written and handed over the sheet to Alpatych, he verbally told him how to arrange the departure of the prince, princess and son with the teacher and how and where to answer him immediately. He had not yet had time to complete these orders, when the chief of staff on horseback, accompanied by his retinue, galloped up to him.
- Are you a colonel? shouted the chief of staff, with a German accent, in a voice familiar to Prince Andrei. - Houses are lit in your presence, and you are standing? What does this mean? You will answer, - shouted Berg, who was now assistant chief of staff of the left flank of the infantry troops of the first army, - the place is very pleasant and in sight, as Berg said.

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